Fatih is a place that can be described as undefined. There are blind walls that look at the street, windows whose view is blocked by other buildings, unexpected historical fragments in neglected streets… The various types of textures and the display of different materials in one building, sometimes in a single façade, prevents the area to come together in a defined, understandable language.
Upon arriving and getting into the local neighbourhoods in Fatih, one can easily feel “otherized”. Glances of the local people will be on the outsider, silently asking “Who are you, and why are you here?” with their eyes. In the collage, Alexei Ivanovich, who is the main character from Dostoevsky’s “The Gambler”, is led by his obsessive behaviour and somehow finds himself in Fatih. Because his foreignness is obvious with his different looks and clothes, he immediately faces the weird glances that the locals give to him and realises harshly he is not a part of this area.
An individual doesn’t only stay in one single place in one single time. Alexei looking out from a window in Samatya is also in Europe, İstanbul, Fatih. He came using transportations and brought different trails of different places with him. He isn’t only in the present time, he is stuck between past and present.
Samatya used to be a place with a strong historical texture that came from the Byzantine times. Turks, Rums, Armenians lived in harmony. After some urban renewal projects and the construction of the railroad project in Republic period, the area had a drastic change. Now, most of the Rums and Armenians left their homes. Instead, a new cultural setting is created by the vast amount of refugees. Political and historical events shaped Samatya, demography and architecture changed and created today’s hectic setting.
In Turkey, urban decisions are generally made by the upper authorities and accepted by public. With the recent developments of electronic participation, the world seems to be going into a direction where public opinion will have much more height in the decisions. This will also affect Turkey. Yet, will that be for the better or worse? Will the ideas of Alexei, blinded by his obsessions and not always known to make the best decisions, be best for the city or will they drag the city into a chaos?
What would the dreams of the characters from The Gambler be?
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